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LUPSCOWS Spring/Summer 2014 Lookbook

April 18th, 2014

New Spring/Summer 2014 Lookbook by Kiel/Germany-based Fashionlabel LUPSCOWS. New Styles, new Designs on T-Shirts, Hoodies, a College-Jacket, some brandnew T-Shirts and all that jazz. Read more

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Blanc Et Noir by Caesar Lima

April 17th, 2014

Portraits done in black and white brings an additional layer of complexity to their subject. The absence of color can give photographs ranging from those with a wide flowing spectrum of soft grey tones to those with dramatic …

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Foodtypography

Foodtypography

April 17th, 2014

This is a rather interesting mix of things, mix the art of typography and food, it gives a surprising result. Foodtypography.com is a pretty Tumblr that lists everything related to food typography. It is a real pleasure for …

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Shepard Fairey / OBEY – 50 Shades Of Black at Subliminal Projects

April 17th, 2014

“Music has taught me a great deal about connecting with a broad audience. Music is universal. I’ve had some very moving encounters with art in my life, especially in the street, but almost nothing can compare to the …

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Creative Illustrations by Atilla Galip Pinar

Creative Illustrations by Atilla Galip Pinar

April 17th, 2014

Dose of spectacular illustrations by Turkey-based Atilla Galip Pinar. Visit Atilla Galip Pinar

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Jellyfish by Alexander Semenov

In 2007, Russian underwater photographer Alexander Semenovgraduated from Lomonosov’s Moscow State University in the department of Zoology. He specialized in the study of invertebrate animals, with an emphasis on squid brains. Soon after, he began working at the White Sea Biological Station (WSBS) as a senior laborer. After four years of working at the WSBS dive station, he became chief of the diving team. He now organizes all WSBS projects, and dives by himself, always with a camera. Of his sea life photography he writes: ‘When I first began to experiment with sea life photography I tried shooting small invertebrates for fun with my own old camera and without any professional lights or lenses. I collected the invertebrates underwater and then I shot them in the lab. After two or three months of failure after failure, I ended up with a few good pictures, which inspired me to buy a semi-professional camera complete with underwater housing and strobes. I’ve spent the following field season trying to shoot the same creatures, but this time in their environment. It was much more difficult, and I spent another two months without any significant results. But when you’re working at something every day, you inevitably get a lot of experience. Now after four years of practice I get a few good shots almost every time I dive’.



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Michael Dachstein

Inspiration junkie :)