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X-Ray Photography by Nick Veasey

X-Ray Photography by Nick Veasey

May 22nd, 2013

English artist Nick Veasey captured mythical pictures inside the subjects – people, objects, natural forms and animals using x-ray technology. The work has an ethereal, otherwordly quality, yet the things he uses to create …

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Polly Braden

China Between by Polly Braden

May 22nd, 2013

Polly Braden is renowned for her photography exploring the relationship between daily life, work and leisure. Searching for small and telling gestures her images are acutely observed portraits within a broader assessment …

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Cat Beard – Photo Fad

May 22nd, 2013

Cat Beards is a photo fad that involves positioning a cat in front of one’s face in such a manner that the feline’s furry chin appears as if it is part of the model’s facial hair. Read more

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UP&MORE DAY 8 ::: GO OOON AND VOOOTE!!!

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May 22nd, 2013

  LANCIA TRENDVISIONS / Thaddeuswolfe.com - Philcuttance.com

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Reconstructing the View: Grand Canyon Photography by Mark Klett and Byron Wolfe

May 22nd, 2013

A collaborative project which involves combining modern day photos of the Grand Canyon taken by Klett and Wolfe with old postcards and 19th century images shot by photographers such as Ansel Adams and Edward Weston. Read …

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Jellyfish by Alexander Semenov

In 2007, Russian underwater photographer Alexander Semenovgraduated from Lomonosov’s Moscow State University in the department of Zoology. He specialized in the study of invertebrate animals, with an emphasis on squid brains. Soon after, he began working at the White Sea Biological Station (WSBS) as a senior laborer. After four years of working at the WSBS dive station, he became chief of the diving team. He now organizes all WSBS projects, and dives by himself, always with a camera. Of his sea life photography he writes: ‘When I first began to experiment with sea life photography I tried shooting small invertebrates for fun with my own old camera and without any professional lights or lenses. I collected the invertebrates underwater and then I shot them in the lab. After two or three months of failure after failure, I ended up with a few good pictures, which inspired me to buy a semi-professional camera complete with underwater housing and strobes. I’ve spent the following field season trying to shoot the same creatures, but this time in their environment. It was much more difficult, and I spent another two months without any significant results. But when you’re working at something every day, you inevitably get a lot of experience. Now after four years of practice I get a few good shots almost every time I dive’.

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Michael Dachstein

Inspiration junkie :)